The caster sings a song the language and words change, but the message stays the same. The joining of friends and remembrance of the dead. As the song continues a ghost wind wraps the caster moving their clothing. If cast on a dead target a ghostly form slowly forms, as long as the dead wishes to be seen. This form is formed from mist coming from the folds of the hat.
Exert your Mind and spend one minute. Select a Sapient being, human, Creature, or Dead target within 50 feet. For dead targets, you must possess their A personal Memory of them.
The target can communicate in your language for the next hour.
Buck is blessed (arguably cursed) with understanding the constant discussions of the animals around him.
You gain the following benefits at all times.
You may understand and communicate to Creatures as if you are fluent in a relevant language.
Edgar bites into flesh or bone, typically devouring the heart, tongue, eyes, & brain in the first sitting. Memories flood the ghoul, causing his eyes to flicker - occasionally, these cast-off memories can be coalesced enough to re-create a fragment of the person's personality - this is an unpleasant fate, as the victim essentially becomes a powerless voice in the mind of the ravenous Ghoul for the duration. Only Edgar can hear this personality fragment, though he can converse with it if desired, effectively talking to himself.
Once consumed, the Ghoul can summon up these voices from the past any time thereafter, the memories lying otherwise dormant.
Exert your Mind and spend an Action. Select a Dead target within 50 feet. For dead targets, you must possess their flesh, having eaten a portion of them in the past.
The target can communicate in your language for the next hour.
Communicating with a being cannot directly damage your Mind or cause Injury. All rolls to resist Effects that rely on communicating with you are made at -1 Difficulty.
While this Effect is active, you are at -2 dice to all Actions and cannot Concentrate.
You may only use this Effect once per target per day.
Your eyes takes on a foggy white colour and your voice become ethereal
Spend one minute. Select a Dead target within arm's reach. For dead targets, you must possess their remains, even just a little bit of it.
The target can communicate in your language for the next hour.
Communicating with a being cannot directly damage your Mind or cause Injury. All rolls to resist Effects that rely on communicating with you are made at -1 Difficulty.
Hilde kneels down, lays hands upon the body part and speaks charms over it (in Old Norse) for a minute. This enables the body part to project the voice of the dead person's spirit. Since the body part is supernaturally channeling the dead person's voice, anyone can hear the conversation.
Exert your Mind and spend one minute. Select a Dead target of which you have Any body part.
The target can communicate in your language for the next hour.
Suddenly a great wind lifts your cards up in the air as you seemingly connect to the other side calling forth a wraith. Your eyes and tattoos begin to glow in a greenish hue signalling that connection was successful.
Exert your Mind and spend an Action. Select a Dead target within 50 feet. For dead targets, you must possess their object of attachment. Roll a single D10 as a critical failure check. If you roll a 1, the Effect fails, and you get possessed by the restless dead.
The target can communicate in your language for the next hour.
The Necromancer spits into the mouth of a recently deceased corpse. For the few minutes, the corpse's head comes back to life and speaks to the Necromancer.
Exert your Mind and spend an Action. Select a Dead target within 50 feet. Dead targets must have died within the past week, and you must have their remains in your possession.
The target can communicate in your language for the next hour.
The beastmaster can speak to and understand any animal.
You gain the following benefits at all times.
You may understand and communicate to terrestrial animal as if you are fluent in a relevant language.