Vintage

A world that is haunted with conspiracies and drowned in false truths.

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Posted by TheCooler, 3 months, 3 weeks ago. Permalink

A QUICK, HARD RIGHT AND A NEEDLESS STORM OF PROTEST

MUHAMMAD ALI (CASSIUS CLAY) IS A FIGHTER BEDEVILED BY HIS OWN EXCELLENCE. HE KNOCKED OUT BIG SONNY LISTON WITH A PUNCH SO MARVELOUSLY FAST THAT ALMOST NO ONE BELIEVED IN IT—BUT IT WAS HARD AND TRUE

Muhammad Ali, born Cassius Clay, retained the heavyweight championship of the world by knocking out Sonny Liston with a perfectly valid, stunning right-hand punch to the side of the head (page 48), and he won without benefit of a fix.

Although it is impossible ever to discount the possibility of a fix because of boxing's still-too-intimate connection with the underworld, there is no shred of evidence or plausibility to support the suggestion that this was anything but an honest fight, as was the previous Clay-Liston fight in Miami Beach. Today the big money is in television—not betting.

The knockout punch itself was thrown with the amazing speed that differentiates Clay from any other heavyweight. He leaned away from one of Liston's ponderous, pawing left jabs, planted his left foot solidly and whipped his right hand over Liston's left arm and into the side of Liston's jaw. The blow had so much force it lifted Liston's left foot, upon which most of his weight was resting, well off the canvas. It was also powerful enough to drop him instantly—first to his hands and knees and then over on his back. More than 17 seconds elapsed before Liston could flounder to his feet, still only partly conscious. Even some 30 seconds later, when Jersey Joe Walcott, the referee, finally stopped the fight after a wild flurry of inaccurate punches by the almost-hysterical Clay, Liston was staggering drunkenly and had to be led to his corner by Trainer Willie Reddish.

The knockout punch was only the third that the champion landed, but all of his blows were significant ones. He opened the fight by rushing across the ring and banging the surprised Liston with a hard right cross. Then, about 30 seconds before the end, he hit Liston with another strong right (see cover) that may have started Sonny's downfall.

"That shot shivered Liston," said Trainer Chicky Ferrara, who had been placed in Liston's corner by Manager Angelo Dundee to guard against a recurrence of the eye burning that had left Clay semiblind in the fifth round in Miami Beach. "He blinked his eyes three times, like he was trying to clear his head, and I looked at Willie Reddish. I could see Reddish looked sick because he knew his fighter was in trouble."

For the few qualified observers who had a clear view of the knockout punch, there was no doubt about its power. Immediately after it landed, Floyd Patterson, seated at ringside in the most advantageous position to see the blow, said, in answer to a direct question: "It was a perfect right hand." José Torres, the light heavyweight champion, agreed. "A very strong right hand," he said. Indeed, for all those who had a good view of the punch—and, unfortunately, there could not have been more than 1,200—there was never any doubt as to the stunning power of the blow. it was perfectly delivered against an opponent who was moving toward it, so that the effect was of a head-on collision.

The suddenness of Clay's blow plunged everybody—fighters, officials and spectators—into a morass of confusion. Responsibility for this can be laid to an inept timekeeper and a bewildered referee. But primarily it was the fault of Muhammad Ali, who went berserk when he saw Liston on the canvas and heard the chorus of "Fake! Fake!" coming from the fans who had missed the knockout punch.

Instead of retreating to a neutral corner and allowing Referee Joe Walcott to begin his count, the frantic champion stood over Liston shouting: "Get up and fight, sucker!" Walcott repeatedly pushed and shoved Clay away from the fallen challenger, only to have the champion charge back to ring center. Absorbed in this frustrating effort, Walcott never did start a count. Nor was he able to pick one up from the timekeeper, a diminutive man whose head was barely visible above the ring and whose voice was inaudible. Liston finally struggled to his feet and Walcott, thinking the fight was still on, wiped his gloves off.

At that moment Walcott heard shouts from Nat Fleischer, publisher of The Ring Magazine, who was sitting by the timekeeper. The referee turned his back on the fighters to listen to Fleischer. Liston, still dazed but courageous, put his hands up and started toward Clay, who then began his wild attack.

Liston was fighting from instinct, moving his head from side to side to avoid Clay's blows and trying to clinch. Whatever defects he had in this fight—and principal among them were age and its concomitant slowness—Liston was no quitter. No man ever struggled more grimly through the fog of unconsciousness to regain his feet than did Liston during the 17 seconds he was on the floor, and when Walcott at last stepped between the fighters to stop them Liston was still doing his best to fight back.

There was a wonderful irrationality to Walcott's action, which was reflected in everything he said later. He stopped the fight, he admitted, only after he had been informed by Fleischer, who had no official connection with the match, that the count had reached 12. But moments earlier he obviously had been prepared to allow the bout to continue, possibly on the theory that since Clay had not gone to a neutral corner there had not been a count of 10. Immediately after he stopped the bout, however, Walcott told a reporter: "It didn't make any difference if I counted or not. I could have counted to 24. Liston was in a dream world, and the only thing that could have happened was that he'd be seriously hurt."

Watching Liston after the end, it was perfectly clear he had been badly—if not seriously—hurt. He stood vaguely for a moment, then staggered two steps backward as Reddish approached him and led him to his corner. It was about then, with the ring rapidly filling up with uninvited characters, that George Chuvalo, the Canadian heavyweight champion who had hoped to fight Liston if Sonny won, climbed through the ropes and shoved Clay, yelling, "Fix!" He was restrained, but later he said that he had seen Liston's eyes while the challenger was on the floor, and he knew that he was not in bad shape. "His eyes were darting from side to side like this," he said, darting his eyes from side to side. "When a fighter is hurt his eyes roll up."

In fact, Chuvalo was giving unwitting testimony to the power of the blow.

"Chuvalo is wrong," said Dr. Carroll L. Witten, former Kentucky State Boxing Commissioner, who has studied the reactions of knocked-out fighters. "The side-to-side movement of eyes is commonly associated with temporary unconsciousness and is one of the first things you look for. It is called nystagmus."

About half an hour after the fight, sitting on a training table and dressed in blue jeans, a gray sweat shirt and heavy brogans, Liston offered his own testimony.

"I didn't think he could hit that hard," he said, oddly cheerful. "But I couldn't pick up the count. I think," he added, apparently unaware that it was he who first resumed fighting after the knockdown, "I could have continued if I had picked up the count."

Had the fight been permitted to continue, it would have done Liston small good; Clay was in control from the opening surprise punch, and in all likelihood would have scored a second knockout.

Superficially, the fight bore some resemblance to the first meeting in Miami. Clay avoided Liston's crude rushes disdainfully, retreating steadily. But there was a major difference this time, as soon became apparent. Clay fought his own fight, which he did not do in Miami Beach. Then he had followed the instructions of Manager Angelo Dundee to the letter. Dundee's instructions in this fight were almost the same.

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Earth, 1965

The Swinging Sixties

While the achievements of humans being launched into space, orbiting Earth, and walking on the Moon extended exploration, the Sixties are known as the "countercultural decade" in the United States and other Western countries. There was a revolution in social norms, including clothing, music (such as the Altamont Free Concert), drugs, dress, sexuality, formalities, civil rights, precepts of military duty, and schooling. Others denounce the decade as one of irresponsible excess, flamboyance, the decay of social order, and the fall or relaxation of social taboos. A wide range of music emerged; from popular music inspired by and including the Beatles (in the United States known as the British Invasion), the folk music revival, to the poetic lyrics of Bob Dylan. In the United States the Sixties were also called the "cultural decade" while in the United Kingdom (especially London) it was called the Swinging Sixties.

May 25th 1965. The Vietnam war is current and the space race is in full effect. The party starts with each member in their respective location, with their eyes set on their TV just like millions of other spectators. Watching in awe as Muhammad Ali stood over Sonny Liston's body in their second encounter.

Full Setting Description

Vintage

In a world where the unnatural makes it's crawl to the modern era and instantaneous communication becomes more and more frequent, how can the secret of the unnatural ever be kept? The answer is simple. Often, it keeps itself secret. There are four fundamentals to the unnatural of the world.

1. The unnatural is rare, and unnatural events that destroy more than a few human lives at a time are extremely rare.

2. The unnatural tends to consume those that are exposed to it, removing the vector in the progress.

3. Humanity is jaded and full of distrust. Science has effectively destroyed any belief in things beyond physics. "Proof" of the supernatural is often met with mockery/

4. A handful of government agencies around the world are aware of these threats and actively suppress knowledge of them. 

Taken together, these add up to the illusion of order that covers your haunted world.

You are a Contractor. And you will be in a group with other Contractors, made by people that call themselves Harbingers. From there, you will be put on Contracts.

Contracts are deadly missions organized by The Harbingers. Like the Contractors that attend them, each Contract is unique. Their locations, objectives, and complications vary wildly. Contractors may be asked to do anything from capturing a monster to performing corporate espionage—or even to simply survive.

Contractors are not selected to attend a Contract based on their specific skills and talents. Harbingers are distinctly not trying to form "the perfect team" for each challenge. Instead, Contractors must adapt, using their resources and wits to compensate for the shortcomings of their groups. 

Contracts are tests. Contractors who fail do not deserve Gifts. Contractors who die are unworthy.


Should you pass a contract. You will be given The Gift.

World Events

Posted by TheCooler, 3 months, 3 weeks ago. Permalink

A QUICK, HARD RIGHT AND A NEEDLESS STORM OF PROTEST

MUHAMMAD ALI (CASSIUS CLAY) IS A FIGHTER BEDEVILED BY HIS OWN EXCELLENCE. HE KNOCKED OUT BIG SONNY LISTON WITH A PUNCH SO MARVELOUSLY FAST THAT ALMOST NO ONE BELIEVED IN IT—BUT IT WAS HARD AND TRUE

Muhammad Ali, born Cassius Clay, retained the heavyweight championship of the world by knocking out Sonny Liston with a perfectly valid, stunning right-hand punch to the side of the head (page 48), and he won without benefit of a fix.

Although it is impossible ever to discount the possibility of a fix because of boxing's still-too-intimate connection with the underworld, there is no shred of evidence or plausibility to support the suggestion that this was anything but an honest fight, as was the previous Clay-Liston fight in Miami Beach. Today the big money is in television—not betting.

The knockout punch itself was thrown with the amazing speed that differentiates Clay from any other heavyweight. He leaned away from one of Liston's ponderous, pawing left jabs, planted his left foot solidly and whipped his right hand over Liston's left arm and into the side of Liston's jaw. The blow had so much force it lifted Liston's left foot, upon which most of his weight was resting, well off the canvas. It was also powerful enough to drop him instantly—first to his hands and knees and then over on his back. More than 17 seconds elapsed before Liston could flounder to his feet, still only partly conscious. Even some 30 seconds later, when Jersey Joe Walcott, the referee, finally stopped the fight after a wild flurry of inaccurate punches by the almost-hysterical Clay, Liston was staggering drunkenly and had to be led to his corner by Trainer Willie Reddish.

The knockout punch was only the third that the champion landed, but all of his blows were significant ones. He opened the fight by rushing across the ring and banging the surprised Liston with a hard right cross. Then, about 30 seconds before the end, he hit Liston with another strong right (see cover) that may have started Sonny's downfall.

"That shot shivered Liston," said Trainer Chicky Ferrara, who had been placed in Liston's corner by Manager Angelo Dundee to guard against a recurrence of the eye burning that had left Clay semiblind in the fifth round in Miami Beach. "He blinked his eyes three times, like he was trying to clear his head, and I looked at Willie Reddish. I could see Reddish looked sick because he knew his fighter was in trouble."

For the few qualified observers who had a clear view of the knockout punch, there was no doubt about its power. Immediately after it landed, Floyd Patterson, seated at ringside in the most advantageous position to see the blow, said, in answer to a direct question: "It was a perfect right hand." José Torres, the light heavyweight champion, agreed. "A very strong right hand," he said. Indeed, for all those who had a good view of the punch—and, unfortunately, there could not have been more than 1,200—there was never any doubt as to the stunning power of the blow. it was perfectly delivered against an opponent who was moving toward it, so that the effect was of a head-on collision.

The suddenness of Clay's blow plunged everybody—fighters, officials and spectators—into a morass of confusion. Responsibility for this can be laid to an inept timekeeper and a bewildered referee. But primarily it was the fault of Muhammad Ali, who went berserk when he saw Liston on the canvas and heard the chorus of "Fake! Fake!" coming from the fans who had missed the knockout punch.

Instead of retreating to a neutral corner and allowing Referee Joe Walcott to begin his count, the frantic champion stood over Liston shouting: "Get up and fight, sucker!" Walcott repeatedly pushed and shoved Clay away from the fallen challenger, only to have the champion charge back to ring center. Absorbed in this frustrating effort, Walcott never did start a count. Nor was he able to pick one up from the timekeeper, a diminutive man whose head was barely visible above the ring and whose voice was inaudible. Liston finally struggled to his feet and Walcott, thinking the fight was still on, wiped his gloves off.

At that moment Walcott heard shouts from Nat Fleischer, publisher of The Ring Magazine, who was sitting by the timekeeper. The referee turned his back on the fighters to listen to Fleischer. Liston, still dazed but courageous, put his hands up and started toward Clay, who then began his wild attack.

Liston was fighting from instinct, moving his head from side to side to avoid Clay's blows and trying to clinch. Whatever defects he had in this fight—and principal among them were age and its concomitant slowness—Liston was no quitter. No man ever struggled more grimly through the fog of unconsciousness to regain his feet than did Liston during the 17 seconds he was on the floor, and when Walcott at last stepped between the fighters to stop them Liston was still doing his best to fight back.

There was a wonderful irrationality to Walcott's action, which was reflected in everything he said later. He stopped the fight, he admitted, only after he had been informed by Fleischer, who had no official connection with the match, that the count had reached 12. But moments earlier he obviously had been prepared to allow the bout to continue, possibly on the theory that since Clay had not gone to a neutral corner there had not been a count of 10. Immediately after he stopped the bout, however, Walcott told a reporter: "It didn't make any difference if I counted or not. I could have counted to 24. Liston was in a dream world, and the only thing that could have happened was that he'd be seriously hurt."

Watching Liston after the end, it was perfectly clear he had been badly—if not seriously—hurt. He stood vaguely for a moment, then staggered two steps backward as Reddish approached him and led him to his corner. It was about then, with the ring rapidly filling up with uninvited characters, that George Chuvalo, the Canadian heavyweight champion who had hoped to fight Liston if Sonny won, climbed through the ropes and shoved Clay, yelling, "Fix!" He was restrained, but later he said that he had seen Liston's eyes while the challenger was on the floor, and he knew that he was not in bad shape. "His eyes were darting from side to side like this," he said, darting his eyes from side to side. "When a fighter is hurt his eyes roll up."

In fact, Chuvalo was giving unwitting testimony to the power of the blow.

"Chuvalo is wrong," said Dr. Carroll L. Witten, former Kentucky State Boxing Commissioner, who has studied the reactions of knocked-out fighters. "The side-to-side movement of eyes is commonly associated with temporary unconsciousness and is one of the first things you look for. It is called nystagmus."

About half an hour after the fight, sitting on a training table and dressed in blue jeans, a gray sweat shirt and heavy brogans, Liston offered his own testimony.

"I didn't think he could hit that hard," he said, oddly cheerful. "But I couldn't pick up the count. I think," he added, apparently unaware that it was he who first resumed fighting after the knockdown, "I could have continued if I had picked up the count."

Had the fight been permitted to continue, it would have done Liston small good; Clay was in control from the opening surprise punch, and in all likelihood would have scored a second knockout.

Superficially, the fight bore some resemblance to the first meeting in Miami. Clay avoided Liston's crude rushes disdainfully, retreating steadily. But there was a major difference this time, as soon became apparent. Clay fought his own fight, which he did not do in Miami Beach. Then he had followed the instructions of Manager Angelo Dundee to the letter. Dundee's instructions in this fight were almost the same.

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